Last week I went to sketch The Pink Building again on a dry day. However, even at 10am there was no light on it. I have been watching it for years and I know that for quite a lot of the year it is in shadow. Perhaps that time of year has come.Back along the lane I found this group of buildings with the sun coming from one side.
Tone is so important to me, and that is probably one of the reasons I don’t work particularly fast, because I am refining the differences in the tones. So I had to find something to sketch with strong tonal differences.
When I got this one home I wasn’t particularly happy with the colour, so I actually got up in the night to alter it, because I couldn’t get back to sleep for thinking about it. What did I do? I lightened the two sunny yellow areas using sfumato. I lifted off the colour of the front wall to a pale raw umber, as I thought it was muddy. In the morning I glazed very watery ultramarine over the front wall and the other shadow areas. Finished.
Strangely enough I painted one from here for the Glebe Art Prize, though it sold before that and never made it to the exhibition. It is from a totally different angle, but do you recognise with area it comes from? It’s called Up Up and Away, partly because of the repeating upward thrust of the roofline, but mainly because it was the rear of the Flight Centre building at the time.