I have the John Lovett DVD and the way he does reflections is just amazing. I watched the video, but mine is nothing like the way he does it. His are so simple and direct. Mine are played about in. But then again he has done it a million times. I was working from a photo. (No turning your nose up here. It has been raining for three weeks and I also have some health issues.) My water does look like the photo, so that’s something.
It is a photo I took in Siracusa, in Sicily. We were staying on the island of Ortigia, which is part of the city of Siracusa. It is joined on to Sicily by three short bridges and I took this photo when we were on our way to the flea market one morning. Although it was supposed to be an art tour, there was no waiting for anyone who stopped to take a photo, so it was just ‘grab a snap’ and move on.
And yes, I bought some interesting little things at the flea market.
Filed under boats, Charcoal pencil, Copic Multiliner, dip pen, inks, Italy, Ortigia, pen, Sicily, Siracusa, sketchbook, sketching, Travel, watercolour, watercolour pencils
Finally I get a brown ink that suits me fine. It has been a long search. I have looked for inks, pens, whatever, for a few years now. The pens are either so light as to not give definition to a line, or so dark as to read as black. I bought some lovely brown ink in Florence, gorgeous colour, but not at all impermeabile (waterproof).
Cathy Johnson recommended this Noodlers Ink, Brown #41, to me a long time ago, but there are very few Noodlers colours available here. However recently my friend Peter had a holiday in New York, and asked me Do you want anything? Well!
I have the Noodlers Bulletproof Black and Lexington Grey for quite some time. They’re ok, but on the fine art papers I use in my handmade sketchbooks, they don’t dry quickly enough. This new brown ink seems to dry quickly and I LOVE the colour.
My sketch of a church for the test run, is from Buscemi in Sicily. I wrote about this when I was there in April – a small town that is a living museum. There were two quite wonderful churches, and as was usual (and very disappointing) with our tour, there was no free time to sketch. So now I sketch it from a photo.
My printer died last week and this is my first scan with the new one. It seems simpler than the old one and quicker, and there was no learning curve at this stage …. Until I start to customise it.
On Sunday I met up with Chris Haldane at Balmain. We sat on some stairs and sketched the view over the water. I looked further west to Spectacle Island and Chris sketched Cockatoo Island, slightly to the east of where I was looking. Chris is a great artist with a lot of experience in watercolour.
It had been a dull morning and was supposed to rain later in the day. Instead the skies cleared. As we started out, there were these impressive shapes in the sky, so I piled water onto the page and some colour and spent most of the rest of the time chatting and waiting for the page to dry. I was sorry I had taken my ‘sketcher’s box of paints as the Perylene Green was left at home in my travelling kit. It is so useful for all those dark greens. Must switch it over.
Stuck in the kitchen while electricians roamed the house, I decided to sketch another of the three doors from Siracusa. Again I used mixed media techniques I picked up from the John Lovett book. Watercolour, watercolour pencil, ink, charcoal pencil, both black and white, and gesso.
I didn’t look at the one I had already sketched, because I didn’t want the way I had handled it to influence this sketch. I have decided to leave it a while before I do the third one, and see if that makes any difference. I love to look at the photos of these doors, because we walked past them several times a day and it takes me right back to Sicily. It would be so nice to be there now when it is warm there and so cold here.
Filed under Charcoal pencil, gesso, inks, Italy, Ortigia, Sicily, Siracusa, sketchbook, sketching, Travel, watercolour, watercolour pencils
Last week, in the depths of winter, we had a day that was 25 degrees. That’s 77. We decided that though we had a late start we would go to the Botanic Gardens. The succulent garden has a wall around it, so we headed there, because there was quite a breeze. It gets very hot in there in the summer, and you have to go very early if you don’t want to cook, so it was a great opportunity to sketch there.
Many of the succulents were in flower, and the majority ranged from red, through orange, to yellow. I decided to make the orange ‘a feature’. I was sketching the flowers in the upper left when a couple came and watched me. He said, “She’s cheating, she’s putting flowers”. I just pointed upwards at the flowers and said nothing. Not very observant, huh?
Everything broke last week, so while I was waiting for tradesmen to come and fix things, I painted another little landscape from the John Lovett book. This is a step by step project from the book. I learn so much from these projects, but on the whole I would much rather paint from my own photos.
This one is also mixed media and the main difference is that the sky is mixed with ultramarine watercolour and white gouache. It certainly makes it pop against those orange rocks. A very Australian landscape, not that I have been to the outback to see country like this.
So, mixed media again. Watercolour, watercolour pencils, ink, charcoal pencil and gouache.
This book is crammed with information, and I have decided that the best way to take it all in is to do the projects. However this raises even more questions, and I think the best answer is to do a workshop with John Lovett at some time, and actually watch him work.
I did this little landscape on Saturday morning, when it was raining, and I spent a lot of the day waiting for it to dry. This is a real mixed media effort, with watercolour, gouache, watercolour pencils, charcoal pencil, ink and gesso.
I have decided that this style of painting (or any watercolour beyond ‘pen and wash’) is in direct opposition to the qualities required for urban sketching. Well, you wouldn’t really want to carry around all that long list of materials. But the main thing is that sketching is fast, and ‘real watercolour’, to be done well, really needs time to dry. I have seen some very experienced watercolourists achieve it, but I have seen others make mud.
I am a bit of a ‘glazer’ when I paint in acrylics and oils, and I guess I am the same with watercolour. Makes for wet paper. I think this little painting (postcard size in my sketchbook) needs some stronger darks under the rocks, but it was an exercise and I had had enough with the waiting.
This time I had learnt to be less heavy-handed with my charcoal lines. That’s why I’m doing these projects…..to learn.