Category Archives: watercolour

Finally, finally.

buscemiFinally I get a brown ink that suits me fine. It has been a long search. I have looked for inks, pens, whatever, for a few years now. The pens are either so light as to not give definition to a line, or so dark as to read as black. I bought some lovely brown ink in Florence, gorgeous colour, but not at all impermeabile (waterproof).

Cathy Johnson recommended this Noodlers Ink, Brown #41, to me a long time ago, but there are very few Noodlers colours available here.  However recently my friend Peter had a holiday in New York, and asked me Do you want anything? Well!

I have the Noodlers Bulletproof Black and Lexington Grey for quite some time. They’re ok, but on the fine art papers I use in my handmade sketchbooks, they don’t dry quickly enough. This new brown ink seems to dry quickly and I LOVE the colour.

My sketch of a church for the test run, is from Buscemi in Sicily. I wrote about this when I was there in April – a small town that is a living museum. There were two quite wonderful churches, and as was usual (and very disappointing) with our tour, there was no free time to sketch. So now I sketch it from a photo.

My printer died last week and this is my first scan with the new one. It seems simpler than the old one and quicker, and there was no learning curve at this stage …. Until I start to customise it.

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Filed under inks, Lamy Safari, Sicily, sketchbook, sketching, watercolour

Jorge Royan

jorge_sketchA valued friend of many sketchers, Jorge Royan, died unexpectedly just over a week ago as the result of a medical procedure. He is being missed by many people all over the world. Though I never met him face to face, I always thought I would. There is nothing I would have liked better than to sit and have a chat with Jorge.

Jorge’s sketching friends are doing a book of portraits, or they are sketching floral tributes, that will be put together as a book for his family. This is my contribution. I didn’t know how to approach it. A hard thing to do. I decided to use the mixed media techniques I have been using recently. Watercolour, watercolour pencils, gesso, charcoal pencils, both black and white. I am not a portrait artist, so I am happy enough with it.

Jorge started the Sketching Workshop a couple of years ago and I was lucky enough to be asked to join right away. The group is deliberately kept to 150 members, so that we all have the opportunity to get to know one another.  We are all peers – relatively competent in sketching – so that we can critique one another’s work from an equal footing. And critique we do.  The words ‘wow’ and ‘amazing’ are forbidden. It is a truly international group – not dominated by any one nationality. We have great projects and great fun with them. Jorge never asked for anything in return. He wasn’t selling anything.  His motto was “all that is not given is lost,” and that philosophy has influenced  the group. To me, he was the non-commercial face of sketching.

 

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Filed under Charcoal pencil, gesso, inks, sketching, watercolour, watercolour pencils

Spectacle Island

spectacle_islandOn Sunday I met up with Chris Haldane at Balmain. We sat on some stairs and sketched the view over the water. I looked further west to Spectacle Island and Chris sketched Cockatoo Island, slightly to the east of where I was looking. Chris is a great artist with a lot of experience in watercolour.

It had been a dull morning and was supposed to rain later in the day. Instead the skies cleared. As we started out, there were these impressive shapes in the sky, so I piled water onto the page and some colour and spent most of the rest of the time chatting and waiting for the page to dry. I was sorry I had taken my ‘sketcher’s box of paints as the Perylene Green was left at home in my travelling kit. It is so useful for all those dark greens. Must switch it over.

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Filed under Copic Multiliner, sketchbook, sketching, watercolour

Siracusa ….another door

siracusa_door_2Stuck in the kitchen while electricians roamed the house, I decided to sketch another of the three doors from Siracusa. Again I used mixed media techniques I picked up from the John Lovett book. Watercolour, watercolour pencil, ink, charcoal pencil, both black and white, and gesso.

I didn’t look at the one I had already sketched, because I didn’t want the way I had handled it to influence this sketch. I have decided to leave it a while before I do the third one, and see if that makes any difference. I love to look at the photos of these doors, because we walked past them several times a day and it takes me right back to Sicily. It would be so nice to be there now when it is warm there and so cold here.

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Filed under Charcoal pencil, gesso, inks, Italy, Ortigia, Sicily, Siracusa, sketchbook, sketching, Travel, watercolour, watercolour pencils

Back in the Succulent Garden

succulents_orangeLast week, in the depths of winter, we had a day that was 25 degrees. That’s 77. We decided that though we had a late start we would go to the Botanic Gardens. The succulent garden has a wall around it, so we headed there, because there was quite a breeze. It gets very hot in there in the summer, and you have to go very early if you don’t want to cook, so it was a great opportunity to sketch there.

Many of the succulents were in flower, and the majority ranged from red, through orange, to yellow. I decided to make the orange ‘a feature’. I was sketching the flowers in the upper left when a couple came and watched me. He said, “She’s cheating, she’s putting flowers”. I just pointed upwards at the flowers and said nothing. Not very observant, huh?

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Filed under Botanic Gardens, Copic Multiliner, sketchbook, sketching, watercolour

A little landscape – from my John Lovett book

jl_project_2This book is crammed with information, and I have decided that the best way to take it all in is to do the projects. However this raises even more questions, and I think the best answer is to do a workshop with John Lovett at some time, and actually watch him work.

I did this little landscape on Saturday morning, when it was raining, and I spent a lot of the day waiting for it to dry. This is a real mixed media effort, with watercolour, gouache, watercolour pencils, charcoal pencil, ink and gesso.

I have decided that this style of painting (or any watercolour beyond ‘pen and wash’) is in direct opposition to the qualities required for urban sketching. Well, you wouldn’t really want to carry around all that long list of materials. But the main thing is that sketching is fast, and ‘real watercolour’, to be done well, really needs time to dry. I have seen some very experienced watercolourists achieve it, but I have seen others make mud.

I am a bit of a ‘glazer’ when I paint in acrylics and oils, and I guess I am the same with watercolour. Makes for wet paper. I think this little painting (postcard size in my sketchbook) needs some stronger darks under the rocks, but it was an exercise and I had had enough with the waiting.

This time I had learnt to be less heavy-handed with my charcoal lines. That’s why I’m doing these projects…..to learn.

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Filed under Charcoal pencil, dip pen, gesso, inks, sketchbook, watercolour, watercolour pencils

A door in Siracusa

siracusa_door_10In s street very close to our apartment in Siracusa were these wonderful old doors. I took several photos of them because I knew I would want to make art work from them later.

Yesterday we were going to go out sketching, but the weather was too miserable. Rather than go to a museum and sketch inside, we decided to do a project from the John Lovett book I was given recently. There is a section on Buildings and Architectural features, and within that section is a number of Italian doors. We chose one of these three doors, and got started.

We didn’t have the correct colours in pastel pencil to draw it up, so we used watercolour pencils and that worked fine. Then we put in our structural marks (the darks). The next step was to work in charcoal pencil with big confident strokes. I understood that to be bold, and I was wrong. You paint after than and the trouble is that when you wash over the charcoal pencil marks, it makes the washes dirty. From the examples I see that the author’s strokes are thin and spidery. I don’t know how big he is working either. Maybe the strokes look so fine because the image size has been reduced. I am working in a sketchbook. He also says to work from the shoulder and elbow rather than the wrist. To me, that means he is working at an easel. Oh how I would like to do a workshop with him and see how he does it.

John Lovett uses gesso so I also used it to restate my whites so that I could put clean paint over the top. We also used ink…my lovely ink from Florence. And I went back to the watercolour pencils as well.

These were particularly grungy doors, so I am happy enough with the result, though I will do it differently next time. I have already printed out a photo of one of the other doors, so that I see if I get a better result when I try it again. We had great fun doing it though, and learnt so much.

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Filed under Charcoal pencil, dip pen, gesso, inks, Italy, pen, Sicily, Siracusa, sketchbook, sketching, Travel, watercolour, watercolour pencils