I have been working on collographs for this artist’s book for about three years now. It will be about ships and shipwrecks.I only have the opportunity to use a press for three days every winter, so it is not just a matter of ‘getting on with it’.
Earlier this year while I was swimming laps, I concentrated on this problem, got in the zone, and came up with a solution. I then decided that two sets was barely an edition, and I would do another set. So on the last two printing days of this winter/spring, I printed another set.
If I was a purist, each print in each edition would be printed the same, however that is not the case at all. The first two images are printed from the same plate but look how the colours vary. As I’m printing in a group situation, and I’m not the one to choose the inks for viscosity printing, each printing day brings a new set of colours. The two middle prints (of seaweed, and of ship’s ribs)were printed on the same day, but with different parts of the large roller which had a blend of colours all along it. The other two were printed on different days. I suppose I could keep note of the colours and ask for the same ones. However I didn’t say I was a purist, and the thing I have always loved about viscosity printing is how each print is a surprise when it comes off the press.