Not the best sketch I have ever done. I was exhausted for some reason. But I told myself “do it anyway!”
The ink is a new one I bought in Florence at the pen shop and hadn’t used yet. I’ve been home since 19th May, but so many days with cold and rain. The colour of the ink is called Salamander. I was using it with a dip pen. As you see, it’s not waterproof. But the lines read as black, and when you add a little water you can pull out a wash in a sort of Perylene Green. I love the colour. I will fill up one of my fountain pens with it in a while. I added a bit of watercolour pencil to brighten it up a bit. I need the colour.
While sketching, I had Cossie Foo in a harness, attached to a chair. Immediately he goes round the hibiscus bush and shortens the length of the leash by about 90%. But he played happily there and wriggled a lot, chasing an insect as far as the leash would allow (maybe 12 inches) then wriggling on his back. Suddenly he jumped up, and ran inside, obviously scoffing at me. The harness lay there on the ground still with the clasps fastened. How did that happen? I had one eye on him the whole time.
I have the John Lovett DVD and the way he does reflections is just amazing. I watched the video, but mine is nothing like the way he does it. His are so simple and direct. Mine are played about in. But then again he has done it a million times. I was working from a photo. (No turning your nose up here. It has been raining for three weeks and I also have some health issues.) My water does look like the photo, so that’s something.
It is a photo I took in Siracusa, in Sicily. We were staying on the island of Ortigia, which is part of the city of Siracusa. It is joined on to Sicily by three short bridges and I took this photo when we were on our way to the flea market one morning. Although it was supposed to be an art tour, there was no waiting for anyone who stopped to take a photo, so it was just ‘grab a snap’ and move on.
And yes, I bought some interesting little things at the flea market.
Filed under boats, Charcoal pencil, Copic Multiliner, dip pen, inks, Italy, Ortigia, pen, Sicily, Siracusa, sketchbook, sketching, Travel, watercolour, watercolour pencils
Finally I get a brown ink that suits me fine. It has been a long search. I have looked for inks, pens, whatever, for a few years now. The pens are either so light as to not give definition to a line, or so dark as to read as black. I bought some lovely brown ink in Florence, gorgeous colour, but not at all impermeabile (waterproof).
Cathy Johnson recommended this Noodlers Ink, Brown #41, to me a long time ago, but there are very few Noodlers colours available here. However recently my friend Peter had a holiday in New York, and asked me Do you want anything? Well!
I have the Noodlers Bulletproof Black and Lexington Grey for quite some time. They’re ok, but on the fine art papers I use in my handmade sketchbooks, they don’t dry quickly enough. This new brown ink seems to dry quickly and I LOVE the colour.
My sketch of a church for the test run, is from Buscemi in Sicily. I wrote about this when I was there in April – a small town that is a living museum. There were two quite wonderful churches, and as was usual (and very disappointing) with our tour, there was no free time to sketch. So now I sketch it from a photo.
My printer died last week and this is my first scan with the new one. It seems simpler than the old one and quicker, and there was no learning curve at this stage …. Until I start to customise it.
A valued friend of many sketchers, Jorge Royan, died unexpectedly just over a week ago as the result of a medical procedure. He is being missed by many people all over the world. Though I never met him face to face, I always thought I would. There is nothing I would have liked better than to sit and have a chat with Jorge.
Jorge’s sketching friends are doing a book of portraits, or they are sketching floral tributes, that will be put together as a book for his family. This is my contribution. I didn’t know how to approach it. A hard thing to do. I decided to use the mixed media techniques I have been using recently. Watercolour, watercolour pencils, gesso, charcoal pencils, both black and white. I am not a portrait artist, so I am happy enough with it.
Jorge started the Sketching Workshop a couple of years ago and I was lucky enough to be asked to join right away. The group is deliberately kept to 150 members, so that we all have the opportunity to get to know one another. We are all peers – relatively competent in sketching – so that we can critique one another’s work from an equal footing. And critique we do. The words ‘wow’ and ‘amazing’ are forbidden. It is a truly international group – not dominated by any one nationality. We have great projects and great fun with them. Jorge never asked for anything in return. He wasn’t selling anything. His motto was “all that is not given is lost,” and that philosophy has influenced the group. To me, he was the non-commercial face of sketching.
Stuck in the kitchen while electricians roamed the house, I decided to sketch another of the three doors from Siracusa. Again I used mixed media techniques I picked up from the John Lovett book. Watercolour, watercolour pencil, ink, charcoal pencil, both black and white, and gesso.
I didn’t look at the one I had already sketched, because I didn’t want the way I had handled it to influence this sketch. I have decided to leave it a while before I do the third one, and see if that makes any difference. I love to look at the photos of these doors, because we walked past them several times a day and it takes me right back to Sicily. It would be so nice to be there now when it is warm there and so cold here.
Filed under Charcoal pencil, gesso, inks, Italy, Ortigia, Sicily, Siracusa, sketchbook, sketching, Travel, watercolour, watercolour pencils
Everything broke last week, so while I was waiting for tradesmen to come and fix things, I painted another little landscape from the John Lovett book. This is a step by step project from the book. I learn so much from these projects, but on the whole I would much rather paint from my own photos.
This one is also mixed media and the main difference is that the sky is mixed with ultramarine watercolour and white gouache. It certainly makes it pop against those orange rocks. A very Australian landscape, not that I have been to the outback to see country like this.
So, mixed media again. Watercolour, watercolour pencils, ink, charcoal pencil and gouache.
In s street very close to our apartment in Siracusa were these wonderful old doors. I took several photos of them because I knew I would want to make art work from them later.
Yesterday we were going to go out sketching, but the weather was too miserable. Rather than go to a museum and sketch inside, we decided to do a project from the John Lovett book I was given recently. There is a section on Buildings and Architectural features, and within that section is a number of Italian doors. We chose one of these three doors, and got started.
We didn’t have the correct colours in pastel pencil to draw it up, so we used watercolour pencils and that worked fine. Then we put in our structural marks (the darks). The next step was to work in charcoal pencil with big confident strokes. I understood that to be bold, and I was wrong. You paint after than and the trouble is that when you wash over the charcoal pencil marks, it makes the washes dirty. From the examples I see that the author’s strokes are thin and spidery. I don’t know how big he is working either. Maybe the strokes look so fine because the image size has been reduced. I am working in a sketchbook. He also says to work from the shoulder and elbow rather than the wrist. To me, that means he is working at an easel. Oh how I would like to do a workshop with him and see how he does it.
John Lovett uses gesso so I also used it to restate my whites so that I could put clean paint over the top. We also used ink…my lovely ink from Florence. And I went back to the watercolour pencils as well.
These were particularly grungy doors, so I am happy enough with the result, though I will do it differently next time. I have already printed out a photo of one of the other doors, so that I see if I get a better result when I try it again. We had great fun doing it though, and learnt so much.
Filed under Charcoal pencil, dip pen, gesso, inks, Italy, pen, Sicily, Siracusa, sketchbook, sketching, Travel, watercolour, watercolour pencils