Some time ago I began a book especially for sketches of pipes. The book is here along with the sketches I did a year or so ago. I have moved away from my plan to do all the pipes grey except for where there was paintwork. At Cockatoo Island on Easter Saturday I noticed that mostly the pipes were rusty, and though I don’t intend to always follow that, I have introduced that colour.
I layered some of the rusty pipes along behind the original ones to pull the whole thing together and carry the sketches from page to page in my concertina book. One pipe below the yellowish one that hasn’t had colour yet. The concertina has ten pages, and this is five of them, so I am half-way there. The trick will be to leave the right amount of white space.
We just had time before catching the ferry back to Circular Quay to go into the Industrial Precinct and sketch another machine. This one reminded me of a sewing machine but I’m sure its not.
Cockatoo Island was more crowded than I’ve ever seen it before with people everywhere, and many many campers and more tents than I have ever seen before. Sadly, one of the campers never made it back to the mainland, after falling from a cliff overnight.
This is the new family member, Cosmo, asleep on the back of the lounge. He is not asleep now. He’s helping. ……hgffffffffffffffffffffffffffffffff09vvy G -/uuuucxvcdddddddddddddddddddCCCCCCCCCCCCCCCCCCCCCCCCCCCCCW/////////// >
if you see what I mean. Helping with the typing also.
He’s a seal point ragdoll kitten aged thirteen weeks. I have had him for three weeks. He is very confident and independent. A toe-biter in the night for a while, but improving now. The first photo is the day he came – aged ten weeks. vvvvIMOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
When he is asleep is the only time he stays still. The second photo is last week, making kitten stir-fry in my new little wok.
I sketched him with a dark brown and a white Prismacolour pencil on toned paper.
On Thursday I went out and about in Newtown with fellow Urban Sketcher Liz Steel. I was showing Liz some places around my local area where we might be able to have an Urban Sketchers event. King Street, the main shopping street in Newtown is too popular on the weekend with people lunching and brunching. Not much room for sketchers on the pavements and certainly not in the cafes.
I took Liz to my favourite building which has a little park opposite. I’ve sketched this building before here and here. I could spend a lifetime drawing this building in sections and with different media. The blue of the paper was similar to the blue of the steel, so that is why I chose to sketch this section. The scan is not really true to the colour.
I particularly like this sort of ‘industrial’ image on toned paper. Not working consecutively through the book is serving me well, but I will be glad when the book is fuller.
Here is the crazy building in all its glory. Liz sketched the whole building here.
Saturday was the ‘Crane Crawl’ at Cockatoo Island. The weather wasn’t promising but I wanted to go anyway. At Cockatoo Island the sky was dark, so rather than start to sketch and get rained on before I was finished, I went straight to the Industrial Precinct. I’ve only sketched inside there once before and was longing to do it again.
Even while I was doing my first sketch, the rain came down and was hammering on the tin roof. I love sketching these old machines. I wish I knew what they were for. The top one is a bit like the Beam Benders but not as big, and it has a wonky ‘bender,’ if that’s what it is.
For the next machine I chose a red background. I am jumping around in my book of toned paper. I chose a nice industrial brown for the first one, but then I wanted to keep the day’s sketches together as a group. What do you think this machine does? Maybe the wheel at the top lowers the head and it cuts metal between those two wheels. There is a bit of commonality between this and a sewing machine.
My last sketch of the day was this little grouping of a cupboard, some boxes and a thingy. I was running out of time, and chose something without a lot of ellipses.
We got soaked waiting to get on the ferry to go home (all those people disembarking at Cockatoo Island in the pouring rain!) But we had a great day sketching and I wouldn’t have missed it. Can’t wait to go back. All sketches with Lamy Safari pen, and Prismacolour pencil(s) on Canson paper.
Back in Sydney and continuing with the water theme we went sketching at Bicentennial Park this week. I am so missing the blue skies and beautiful colours of the water on the south coast. This is on Sydney Harbour and this area is Rozelle Bay, just along from my previous sketch of Rozelle Bay. The sky was the most interesting thing because it was black in bands. Rain was forecast but it didn’t rain. It actually turned out sunny.
Whereas my previous sketch looked across at the Heritage Shipyard, this one looks at a marina on the left and a place where they seem to repair tugs and other working boats. I would love to get in there. So many things to draw. However it is a very busy place and I am certain they wouldn’t allow it. One wonderful area like this off to the left has already fallen to developers, but I got there first with my camera.
Oh, this page was also prepped with blues and greens for the south coast, but it worked just as well on the harbour.
Deus ex Macchina is a coffee shop I’ve been to a few times before, but not for a while. This morning we were casting round for somewhere different to sketch and I half remembered a motorbike inside the coffee shop, so we went to check it out. In fact there were three motorcycles in different places around the room. The cafe is attached to a motorcycle showroom and workshop, and it is also known for good coffee and good food. It’s a bit famous, and close to where I live. It is going to be a great winter venue for sketching/lunch, but today it was hot and we had a relaxing morning drinking coffee in the air con.
I hadn’t sketched a motorbike before and it’s not easy. They are such complex machines, and it is very necessary to simplify them, but the proportions need to be right and the bits need to connect up to one another in the right place. Aaagh.
This machine is a Yamaha Scorpio Mousetrap (don’t you love the name!) from 2007, and you can’t afford it. I chose the colour paper to sketch on because it was very similar to the colour of the paintwork.