Oh, Sunday was the last day for this year of my opportunity for printmaking. I enjoyed it sooooo much. I only go three days a year, and I missed one because of travelling. I needed to make some new plates, but what with the rain…it wasn’t easy.
One drawing had been transferred to drafting film for a week or so, but the other (the Bali one) was only finished on Friday. Saturday was, to put it mildly, changeable. I waited till after ten oçlock for enough strength in the sun to expose the plates, but then the clouds came over. I did the one of the Balinese carving from the gate at Kalibukbuk first. While I was exposing the plate to the sun, raindrops starting falling on the glass, and I would quickly wipe them off with my apron. (I wear an apron so that I can put my timer in the pocket).
After some rain, finally it stopped and I exposed the Barberini door drawing anyway, though there wasn’t much sun. As you see, it is fine. While you are exposing the plate, you just have to make sure you are not holding it anywhere where shadows might fall. Once the plate has been put through various processes inside the house, it is time to post-expose it in the sun. Hmmm, yes, the sun came out but the whole courtyard had trees dripping on it. Water ruins solar plates. so I had to wait till the late afternoon when the sun comes to the front of the house, put the plates outside and sit just inside the front door, guarding them.
Luckily, it was all worth it, both plates were fine. I am really pleased with both of them. Of course I can’t take credit for the beautiful Balinese carving, but my interest was in rendering the way the light fell on it.