This Volterra sketch is done on pale grey paper. The choice of colour was inspired by the colour of the building. It was partly grey, partly ochre. So I got out my Prismacolours to add some yellow ochre, partly to make this sketch fit in with the rest of the group, partly because the grey is a little pale for a mid-tone.
Something completely different coming up in my next blog post.
Saturday morning was another Urban Sketchers Event at Cockatoo Island. Remember we got rained out (well, rained in) last time, and I sketched the machines?
This time a cloudy day was forecast with strong winds. It can be cold there out on the island, and although the weather has been perfect, we are well on into the autumn. In the event, it was yet another perfect day and we were stripping off layers.
I wanted to sketch this hugely complicated crane that I haven’t tried before. It is always trickier than you think, sketching cranes. They are so very tall. You have to anchor them on the ground somehow, then you run out of page when you go upwards. This crane is just gorgeous where that rectangular thing is, and next time I shall attempt to draw a detail of that area. As it was I went off the page at the top, and across onto the other page once I got the rope-thing hanging down. So I continued to add more buildings coming closer to me, able only to fudge the perspective and the proportion because it was so unplanned. Nevertheless I quite like it.
Saturday was the 39th Worldwide Sketchcrawl.
I went to my first sketchcrawl, the 20th, in 2008. That was when I met Liz and Alissa, and we have been sketching together ever since. I have only missed two or three sketchcrawls because of sickness and a business commitment. I hate to miss the sketchcrawl.
We had decided to have an inside venue after being rained on at two recent Urban Sketchers events. As it was, the weather was perfect and we were stuck inside. In the Powerhouse Museum there is so much to sketch, and as usual I gravitate towards the machines.
One sketch down and we needed a coffee. We went to the new coffee shop by the entrance and had a look at our sketches in a good light. It’s dark in the museum.
Back inside, and being printmakers we wanted to sketch the printing press. Very complicated, looking up from below made it worse. Took a break in the middle of that sketch to catch up with all the sketchcrawl people and look at sketches. Probably the biggest sketchcrawl in Sydney yet….over 50 people. And we started with three of us in 2008.
Lunch in the courtyard cafe downstairs, talking about sketching and about Barcelona, then back to finish the press.
Some time ago I began a book especially for sketches of pipes. The book is here along with the sketches I did a year or so ago. I have moved away from my plan to do all the pipes grey except for where there was paintwork. At Cockatoo Island on Easter Saturday I noticed that mostly the pipes were rusty, and though I don’t intend to always follow that, I have introduced that colour.
I layered some of the rusty pipes along behind the original ones to pull the whole thing together and carry the sketches from page to page in my concertina book. One pipe below the yellowish one that hasn’t had colour yet. The concertina has ten pages, and this is five of them, so I am half-way there. The trick will be to leave the right amount of white space.
We just had time before catching the ferry back to Circular Quay to go into the Industrial Precinct and sketch another machine. This one reminded me of a sewing machine but I’m sure its not.
Cockatoo Island was more crowded than I’ve ever seen it before with people everywhere, and many many campers and more tents than I have ever seen before. Sadly, one of the campers never made it back to the mainland, after falling from a cliff overnight.
This is the new family member, Cosmo, asleep on the back of the lounge. He is not asleep now. He’s helping. ……hgffffffffffffffffffffffffffffffff09vvy G -/uuuucxvcdddddddddddddddddddCCCCCCCCCCCCCCCCCCCCCCCCCCCCCW/////////// >
if you see what I mean. Helping with the typing also.
He’s a seal point ragdoll kitten aged thirteen weeks. I have had him for three weeks. He is very confident and independent. A toe-biter in the night for a while, but improving now. The first photo is the day he came – aged ten weeks. vvvvIMOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
When he is asleep is the only time he stays still. The second photo is last week, making kitten stir-fry in my new little wok.
I sketched him with a dark brown and a white Prismacolour pencil on toned paper.
On Thursday I went out and about in Newtown with fellow Urban Sketcher Liz Steel. I was showing Liz some places around my local area where we might be able to have an Urban Sketchers event. King Street, the main shopping street in Newtown is too popular on the weekend with people lunching and brunching. Not much room for sketchers on the pavements and certainly not in the cafes.
I took Liz to my favourite building which has a little park opposite. I’ve sketched this building before here and here. I could spend a lifetime drawing this building in sections and with different media. The blue of the paper was similar to the blue of the steel, so that is why I chose to sketch this section. The scan is not really true to the colour.
I particularly like this sort of ‘industrial’ image on toned paper. Not working consecutively through the book is serving me well, but I will be glad when the book is fuller.
Here is the crazy building in all its glory. Liz sketched the whole building here.
Saturday was the ‘Crane Crawl’ at Cockatoo Island. The weather wasn’t promising but I wanted to go anyway. At Cockatoo Island the sky was dark, so rather than start to sketch and get rained on before I was finished, I went straight to the Industrial Precinct. I’ve only sketched inside there once before and was longing to do it again.
Even while I was doing my first sketch, the rain came down and was hammering on the tin roof. I love sketching these old machines. I wish I knew what they were for. The top one is a bit like the Beam Benders but not as big, and it has a wonky ‘bender,’ if that’s what it is.
For the next machine I chose a red background. I am jumping around in my book of toned paper. I chose a nice industrial brown for the first one, but then I wanted to keep the day’s sketches together as a group. What do you think this machine does? Maybe the wheel at the top lowers the head and it cuts metal between those two wheels. There is a bit of commonality between this and a sewing machine.
My last sketch of the day was this little grouping of a cupboard, some boxes and a thingy. I was running out of time, and chose something without a lot of ellipses.
We got soaked waiting to get on the ferry to go home (all those people disembarking at Cockatoo Island in the pouring rain!) But we had a great day sketching and I wouldn’t have missed it. Can’t wait to go back. All sketches with Lamy Safari pen, and Prismacolour pencil(s) on Canson paper.